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Albrecht Durer Portrait of Elsbeth Tucher oil painting


Portrait of Elsbeth Tucher
Painting ID::  1050
Albrecht Durer
Portrait of Elsbeth Tucher
1499 Staatliche Kunstsammlungen, Kassel

   
   
     

Albrecht Durer The Painter's Father_l oil painting


The Painter's Father_l
Painting ID::  1052
Albrecht Durer
The Painter's Father_l
1497 The National Gallery, London

   
   
     

Albrecht Durer Virgin Child before an Archway oil painting


Virgin Child before an Archway
Painting ID::  1053
Albrecht Durer
Virgin Child before an Archway
Fondazione Magnani-Rocca, Parma

   
   
     

Albrecht Durer St.Jerome in the Wilderness oil painting


St.Jerome in the Wilderness
Painting ID::  1055
Albrecht Durer
St.Jerome in the Wilderness
1494 Fitzwilliam Museum, Cambridge

   
   
     

Albrecht Durer Christ as the Man of Sorrows oil painting


Christ as the Man of Sorrows
Painting ID::  1056
Albrecht Durer
Christ as the Man of Sorrows
1493 Staatliche Kunsthalle, Karlsruhe

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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